Saturday, August 9, 2008

Bernie Mac, Comic From TV and Film, Is Dead at 50



Bernie Mac, a stand-up comic who played evil-tongued but lovable rogues in films like “Bad Santa” and “Mr. 3000” and combined menace and sentiment as a reluctant foster father on “The Bernie Mac Show” on Fox, died on Saturday in Chicago. He was 50 and lived near the city. The cause was complications from pneumonia, his publicist, Danica Smith, said.


Mr. Mac, an angry stage presence with a line of scabrous insults, parlayed his success as a stand-up comedian onto the big screen in a string of comedies that usually cast him as wily con men like Pastor Clever in “Friday” (1995) and Gin, the store detective in “Bad Santa” (2003). He also excelled playing short-tempered misanthropes, notably in his starring role as Stan Ross, the nation’s most hated baseball player, in “Mr. 3000” (2004).


In 2001, the Fox network took a gamble on “The Bernie Mac Show,” an unconventional family comedy in which Mr. Mac portrayed a childless married comedian who reluctantly takes in his sister’s three youngsters when she goes into a drug-treatment program.


The irascible Mr. Mac made a different kind of TV dad, “more Ike Turner than Dr. Spock,” Chris Norris wrote in a 2002 profile for The New York Times Magazine. Mr. Mac’s special style of tough love — “I’m gonna bust your head till the white meat shows,” he warned his surly teenage niece — set the show apart from other family sitcoms and raised a few critical eyebrows. But audiences saw enough of the character’s soft center to find the show touching.


“The success of my comedy has been not being afraid to touch on subject matters or issues that everyone else is politically scared of,” Mr. Mac told The Times in 2001. “It’s a joke, believe me. I’m not trying to hurt anybody.”


Mr. Mac incorporated aspects of his stand-up act in the TV show, and during each episode would break the “fourth wall” and address the audience. On one show, he swiveled in his chair and said, “Now America, tell me again, why can’t I whip that girl?”


“The Bernie Mac Show” show ran for five seasons, and Mr. Mac received two Emmy nominations for outstanding lead actor in a comedy series in 2002 and 2003.


Bernard Jeffrey McCullough was born in Chicago to a single mother who inspired him to become a comedian. He told a television interviewer in 2001 that when he was 5, he saw his mother sitting in front of the television set crying. “The Ed Sullivan Show” was playing, and Bill Cosby was on the show. When Mr. Cosby began telling a story about snakes in a bathroom, she started laughing despite herself. “When I saw her laughing, I told her that I was going to be a comedian so she’d never cry again,” Mr. Mac said.


His mother died of cancer when he was 16, and he was raised by his grandmother on the South Side of Chicago. His two brothers also died, one in infancy, the other of a heart attack in his 20s.


At the Chicago Vocational Career Academy, Mr. Mac was voted class clown by his graduating class. But already serious about his intended profession, he turned down the honor. “I said, ‘I’m funny. I’m a comedian. I’m not a clown,’ ” he later recalled. “My humor had changed from foolishness to making sense.”


After high school, Mr. Mac worked as a janitor, a mover and a school bus driver before finding a job at a General Motors plant. In 1976, he married his high school sweetheart, Rhonda. He is survived by his wife; a daughter, Je’Niece; and a granddaughter.


Desperate to become a comedian, Mr. Mac told jokes for tips on the Chicago subway and performed at comedy clubs, many of them off the beaten track. “When I started in the clubs, I had to work places where didn’t nobody else want to work,” he told The Washington Post. “I had to do clubs where street gangs were, had to do motorcycle gangs, gay balls and things of that nature.”


In 1983, he was laid off at GM, and for a time his family had to move in with relatives. The same year, he contracted sarcoidosis, an autoimmune disorder that can attack the lungs. In 2005, he announced that the disease had gone into remission.


Plugging away at his comedy career, he caught the attention of Redd Foxx and Slappy White, who invited him to do off-the-cuff material in Las Vegas in 1989. A year later, Mr. Mac won the Miller Lite Comedy Search, a national contest, with his profanity-laced monologues.


In 1990, he was invited to do two shows with Def Comedy Jam, a tour featuring young black comedians, which was filmed for HBO. Small film roles followed in “Mo’ Money” (1992), “Who’s the Man?” (1993) and “House Party 3” (1994). He also performed on the HBO variety series “Midnight Mac,” and with the Original Kings of Comedy, a tour that showcased some of the most popular contemporary black comedians. The tour, which grossed an astounding $59 million, generated several HBO specials and a film of the same name by Spike Lee.


Mr. Mac made the move to television reluctantly. “The people come to see you, the person they fell in love with. But when they see you on TV, you become a whole other character, another person, and they become disappointed, and I wasn’t going to allow that to happen to me,” he said.


Nevertheless, he appeared in a recurring role as Uncle Bernie on the UPN sitcom “Moesha” beginning in 1996, and in 2001, he took the plunge with “The Bernie Mac Show.”


Praised by the critics for its fresh, irreverent take on the family sitcom, it became one of Fox’s biggest hits.


The show coincided with a spate of films that made Mr. Mac, if not a box office star, a welcome comedic presence in movies with roles in “What’s the Worst that Could Happen?” (2001), “Ocean’s Eleven” (2001) and its two sequels and “Charlie’s Angels: Full Throttle” (2003).


In July, Mr. Mac, a fervent supporter of Barack Obama, dismayed the candidate at a fund-raising dinner in Chicago. Delivering a stand-up routine, he told salacious jokes and drew a reprimand from Mr. Obama, who warned him, “Bernie, you’ve got to clean up your act next time.”


http://www.nytimes.com/2008/08/10/arts/television/10mac.html

Friday, August 8, 2008

Britney's Back, Blonde, Bangin' Body, and All

Britney Spears stepped out of the B2V salon in LA yesterday showing off her straight blonde hair and cleaned up extensions. Her hair isn't the only thing looking like old Brit again — she's been working hard to get her bikini body into great shape, which has us thinking about seeing her hit the stage again. We agree with most of you and would be very excited to see her make another go of performing at this year's VMAs, so we'll have to see if she's ready to give us more.

more on: http://popsugar.com/1853811

Thursday, August 7, 2008

The Dark Knight 2008

The Dark Knight 2008

Cast: Christian Bale, Michael Caine, Heath Ledger
Gary Oldman, Morgan Freeman, Maggie Gyllenhaal, Eric Roberts
Director: Christopher Nolan
Release Date: 18 July 2008
Genre: Action / Crime / Drama / Mystery / Thriller
Official site: Warner Bros.

Batman raises the stakes in his war on crime. With the help of Lieutenant Jim Gordon and District Attorney Harvey Dent, Batman sets out to dismantle the remaining criminal organizations that plague the city streets. The partnership proves to be effective, but they soon find themselves prey to a reign of chaos unleashed by a rising criminal mastermind known to the terrified citizens of Gotham as The Joker.

The Dark Knight - Wallpapers


Borat Was Right: Angelina Jolie's New Movie Proves It


Angelina Jolie is not the star of "Wanted," opening this weekend. James McAvoy, so good in "Atonement" and "Last King of Scotland," is. And two things are gleaned quickly from watching this comic book-turned-screen mess: First, Borat may have been right about Kazakhstan. Second, only Marvel Comics can make this kind of movie properly.
First, Borat. Director Timur Bekmambetov is from Kazakhstan and it shows. This is his first American movie, and I believe it is his first in English. This could be a clue as to why "Wanted" — which is visually arresting and loaded with enough computer-generated graphics to spawn many video games — is also incoherent. I still have little idea what it was about. Neither did most of the audience in my screening.
But the concept for "Wanted" is based on a comic book by Mark Millar. I’m not familiar with it, and the movie does nothing to explain it. The screenplay takes McAvoy’s Wesley Gibson, a "nobody" who whines about his boring life, and turns him abruptly into a superhero enforcer of justice.

Wesley is also the son of a famous assassin whom he’s never met. He learns this from Jolie, who is billed as the movie’s star but isn’t. She’s rather a beautiful, if mostly mysterious, second-fiddle player, a member of a league of assassins known as "The Fraternity" led by Morgan Freeman.
Unlike the hit Marvel movies, "Wanted" is fuzzy on all facts. It’s hard to tell the good guys from the bad guys. There’s no love story. The main character, Wesley, is poorly drawn even though McAvoy is incredibly appealing as he tries to help the audience figure out the story.
At 5-foot-7 on a very good day, McAvoy is an odd choice for action hero. But maybe his agents are hoping to turn the 29-year-old Scottish actor into the new Tom Cruise. Stranger things have happened.
As for Angelina: She’s in and out of the film. Her role is inconsistent and underdeveloped. She has little dialogue. Mostly she does her "Tomb Raider" thing, shoots big futuristic machine guns and gives a lot of angry stares. She also sports a panoply of tattoos that you can only hope were washable.
The word from insiders is that she took this role as a trade-off so Universal would make Clint Eastwood’s "Changeling," in which she stars. "Changeling" — if its plot holes are fixed — could bring her an Oscar nomination if not big box office. "Wanted" doesn’t make sense, but it still could ring cash registers around the world. Since "Wanted" is visual enough to open well, this was probably a win-win situation.
http://www.foxnews.com/story/0,2933,370563,00.html?sPage=fnc/entertainment/movie

Will Smith's $150 Million Disaster


There’s some idea out there in the world that Will Smith "owns" the July 4 holiday weekend in terms of box office. I guess this is because of "Independence Day," one of my favorite movies, and "Men in Black," also quite good, released, respectively, in 1996 and 1997 on that weekend.
Alas, all good hype must come to an end. "Hancock," with which Sony is hoping to have a merry July 4, 2008, may not duplicate Smith’s previous successes. It is one of the worst family holiday weekend releases of recent memory — and jaw-droppingly so. And that’s hard to do, since it clocks in at a mere wisp of one hour and 20 minutes.
In such brevity there should be a reward. After all, "Hancock," directed by Peter Berg, is shorter than most Woody Allen comedies. There’s nothing funny here, however, or witty or clever or even developed beyond an idea that should never have been executed in this way.

Imagine that the word "a-hole" — fully spoken out — is repeated over and over, and that its first appearance, in the movie’s first scene, is delivered by a child. Thus, the vulgarity begins. But unlike other crass films of this month, such as "Zohan" and "Love Guru," the coarseness of "Hancock" is a wildly under-calculated mistake.
Hancock, preposterously, is an unwilling superhero. He’s a drunk, a hobo and — to be frank — an "a-hole" so lacking in charisma, charm or even bravado that there’s nowhere for him to go but down from a low rung on the ladder.
Unlike Smith’s cocky, smiling heroes of the past, Hancock is just offensive and stupid. His favorite warning to those he’s about to pulverize is an admonition that at least one of his villains will wind up with their head relocated in Hancock’s derriere. True enough, one time we get to see this and it’s not pretty. It’s not funny, either.
The screenplay, which is underdeveloped to the point of amazement for a Hollywood summer blockbuster, is credited to Vince Gilligan and Vincent Ngo. That they’ve done Smith a disservice is an understatement, but their other victims are Charlize Theron, Jason Bateman and a little boy named Jae Head. Their characters literally are abandoned to incoherence.
An hour and 20 minutes later, here are things you will not know: who Hancock is, where he and Theron came from (it’s telegraphed with the subtlety of a mallet that she has a past with him) and who the persons fighting them are (I have no idea).
This much we know: Hancock, whom we meet as he awakens on a park bench from a drinking binge, has powers of flight and super strength. He either can’t or doesn’t want to control them. He’s belligerent and obnoxious, a sort of anti-hero who in comic books usually is defeated by a good guy.
The latter is something he doesn’t want to be. When Bateman’s PR guy shows Hancock a bunch of comics featuring superheroes, Hancock’s response to each one is "Homo." Charming.
It is said the legion of writers and directors who came and went before "Hancock" was initiated had a "black" comedy in mind — something that sent up the idea of superheroes. But a mess has been made in the process and $150 million wasted.
These people all forgot some truisms: In the end, a Will Smith movie with special effects released on July 4 weekend has to be family- and early teen-accessible. "Hancock" is neither. It’s often violent in realistic ways, the plot hinges on an extramarital affair and the main character lacks swagger, confidence and manners.
Columbia says "Hancock" is tracking well, and I’ll bet it's right. The first couple of days — next Wednesday and Thursday — should be big. The fear, I’m sure, though, is that by Friday, July 4, the word will be out. By Sunday they’ll know exactly who’s head is up whose you know what .
http://www.foxnews.com/story/0,2933,372561,00.html?sPage=fnc/entertainment/movie


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